Island Song
(2018)

Musical.

7 Dec 2018, 8pm. 8 and 9 Dec 2018, 3pm and 8pm. Centre 42 Black Box.

 

Production Info

Words by Sam Carner
Music by Derek Gregor
Story by Sam Carner, Derek Gregor, and Marlo Hunter

Produced by Song and Dance Players (SoDa Players)
Supported by Arts Fund, Binjai Tree, National Youth Council Young ChangeMakers Grant, SPH Foundation Arts Fund, Chng Huang Hoon, Betty Lim, Florence Chng, Jeffrey Tsang, and Xie Shangbin
Rehearsal venue support by Make It Share It (MISI)

Production Credits

Director — Chong Gua Khee
Music Director — Jane Foo
Set Designer — Loo An Ni
Lighting Designer — Ignatius Tan
Production Stage Manager — Jocelyn Chng
Stage Manager — Shristy Das Roy
Assistant Stage Managers — Jocelyn Chng, Agnes Hoe
Production Assistant — Leon Yao
Cast — Michael Chee, Hoe Wei Qi, Sarah Koh, Lu Zhengjie, Samantha Tsang

→ Photo Credit: Foo Li Xin

Where are we going in life?
Green light, we go. Red light, we stop.
No U-turn ahead – make a left turn instead.
There are road works. Detour.
We arrive somewhere new. It’s scary. Or it’s awesome.
And then time catches up, and we realize we can’t stay here for the rest of our lives. 

Or things change, and we’re suddenly cruising on a highway, surrounded by everything we’ve always wanted – except not everyone we love is along for the ride.

In the musical Island Song, five 20- to 30-something characters navigate their lives the same way they navigate the city: sometimes confidently, sometimes hopefully, and sometimes recklessly. As the characters wander in and out of each other’s lives, whatever happens, the city is always there, the single backdrop against which everything else happens.

Responses to Island Song

“…the production team puts in a commendable effort to breathe life into the production. The audience sit almost within the stage, with actors walking on runways between seats. They are consistently moving from setting to setting, suggesting lives outside of their songs. This could easily be distracting, but a sharp lighting design and disciplined cast create the illusion of hustle-and-bustle. … The live band appear occasionally as non-speaking characters, making the production feel cohesive and integrated.”

Myle Yan Tay, “Not This Island’s Song”, Centre 42